What was it about fire?
It was so alien here, it was so profoundly archaic that nothing about it could be associated with its surroundings: what was fire doing side by side with Gustavsen’s trailer? What was fire doing side by side with Anne Lene’s toy shovel? What was fire doing side by side with Kanestrøm’s sodden and faded garden furniture?
In all its various hues of yellow and red it stretched up to the sky, consuming crackling spruce twigs, melting hissing plastic, switching this way and that, in totally unpredictable patterns, as beautiful as they were unbelievable, but what were they doing here among us ordinary Norwegians on ordinary evening in the 1970s?
Another world was revealed with the fire, and departed with it again. This was the world of air and water, earth and rock, sun and stars, the world of clouds and sky, all the old things that were always there and always had been, and which, for that reason, you didn't think about. But the fire came, you saw it. And once you had seen it you couldn’t help seeing it everywhere, in all the fireplaces and wood-burning stoves, in all the factories and workshops, and in all the cars driving round the roads and in garages or outside houses in the evening, for fire burned there, too. Also cars were profoundly archaic. This immense antiquity actually resided in everything, from houses – made of brick or wood – to the water flowing through the pipes into and out of them, but since everything happens for the first time in every generation, and since this generation had broken with the previous one, this lay right at the back of our consciousness, if it was there at all, for in our heads we were not only modern 1970s people, our surroundings were also modern 1970s surroundings. And our feelings, those that swept through each and every one of us living there on these spring evenings, were modern feelings, with no other history than our own. And for those of us who were children, that meant no history. Everything was happening for the first time. We never considered the possibility that feelings were also old, perhaps not as old as water or the earth, but as old as humanity. Oh no, why would we? The feelings running through our breasts, which made us shout and scream, laugh and cry, were just part of who we were, more or less like fridges with a light that came on when the door was opened or houses with a doorbell that rang if it was pressed.
—Karl Ove Knausgård, My Struggle, Book Three (Min kamp Tredje bok [2009], translated by Don Bartlett)
