—Phil Rockstroh, "Public Like a Frog", Counterpunch, Nov. 12, 2010
November 12, 2010
Realism v. Idealism
There is truth in the one-liner that Democrats bandy: Anyone from the working or middle class who votes Republican is suffering from Battered Wife Syndrome. Although, one is tempted to retort, anyone who votes for either one of the corporate/National Security State parties is closer to a half-senile spinster who still believes her prince will come.
November 5, 2010
Antisemitism
“Formerly an anti-Semite was somebody who hated Jews because they were Jews and had a Jewish soul. But nowadays an anti-Semite is somebody who is hated by Jews.”
—Hajo Meyer
November 3, 2010
Correction
Last week we reported that in a speech in Lebanon, Iranian President Mahmoud Ahmadinejad said, "Jews were born only to serve us — without that, they have no place in the world; only to serve the people of Islam".
In fact, it was Rabbi Ovadia Yosef, former Sephardi Chief Rabbi of Israel and the founder and spiritual leader of the Shas Party, who said in a sermon on October 16, "Goyim were born only to serve us — without that, they have no place in the world; only to serve the people of Israel,"
In fact, it was Rabbi Ovadia Yosef, former Sephardi Chief Rabbi of Israel and the founder and spiritual leader of the Shas Party, who said in a sermon on October 16, "Goyim were born only to serve us — without that, they have no place in the world; only to serve the people of Israel,"
November 2, 2010
Opium Wars
Chris Hedges writes at Truthdig:
The American left is a phantom. It is conjured up by the right wing to tag Barack Obama as a socialist and used by the liberal class to justify its complacency and lethargy. It diverts attention from corporate power. It perpetuates the myth of a democratic system that is influenced by the votes of citizens, political platforms and the work of legislators. It keeps the world neatly divided into a left and a right. The phantom left functions as a convenient scapegoat. The right wing blames it for moral degeneration and fiscal chaos. The liberal class uses it to call for "moderation." And while we waste our time talking nonsense, the engines of corporate power--masked, ruthless and unexamined--happily devour the state. ...
Politics in America has become spectacle. It is another form of show business. ... The modern spectacle, as the theorist Guy Debord pointed out, is a potent tool for pacification and depoliticization. It is a “permanent opium war” which stupefies its viewers and disconnects them from the forces that control their lives. The spectacle diverts anger toward phantoms and away from the perpetrators of exploitation and injustice. It manufactures feelings of euphoria. It allows participants to confuse the spectacle itself with political action. ...
The celebrities from Comedy Central and the trash talk show hosts on Fox are in the same business. They are entertainers. They provide the empty, emotionally laden material that propels endless chatter back and forth on supposed left- and right-wing television programs. It is a national Punch and Judy show. But don’t be fooled. It is not politics. It is entertainment. It is spectacle. All national debate on the airwaves is driven by the same empty gossip, the same absurd trivia, the same celebrity meltdowns and the same ridiculous posturing. It is presented with a different spin. But none of it is about ideas or truth. None of it is about being informed. It caters to emotions. It makes us confuse how we are made to feel with knowledge. And in the end, for those who serve up this drivel, the game is about money in the form of ratings and advertising. Beck, Colbert and Stewart all serve the same masters. And it is not us.
The American left is a phantom. It is conjured up by the right wing to tag Barack Obama as a socialist and used by the liberal class to justify its complacency and lethargy. It diverts attention from corporate power. It perpetuates the myth of a democratic system that is influenced by the votes of citizens, political platforms and the work of legislators. It keeps the world neatly divided into a left and a right. The phantom left functions as a convenient scapegoat. The right wing blames it for moral degeneration and fiscal chaos. The liberal class uses it to call for "moderation." And while we waste our time talking nonsense, the engines of corporate power--masked, ruthless and unexamined--happily devour the state. ...
Politics in America has become spectacle. It is another form of show business. ... The modern spectacle, as the theorist Guy Debord pointed out, is a potent tool for pacification and depoliticization. It is a “permanent opium war” which stupefies its viewers and disconnects them from the forces that control their lives. The spectacle diverts anger toward phantoms and away from the perpetrators of exploitation and injustice. It manufactures feelings of euphoria. It allows participants to confuse the spectacle itself with political action. ...
The celebrities from Comedy Central and the trash talk show hosts on Fox are in the same business. They are entertainers. They provide the empty, emotionally laden material that propels endless chatter back and forth on supposed left- and right-wing television programs. It is a national Punch and Judy show. But don’t be fooled. It is not politics. It is entertainment. It is spectacle. All national debate on the airwaves is driven by the same empty gossip, the same absurd trivia, the same celebrity meltdowns and the same ridiculous posturing. It is presented with a different spin. But none of it is about ideas or truth. None of it is about being informed. It caters to emotions. It makes us confuse how we are made to feel with knowledge. And in the end, for those who serve up this drivel, the game is about money in the form of ratings and advertising. Beck, Colbert and Stewart all serve the same masters. And it is not us.
November 1, 2010
October 31, 2010
October 27, 2010
Glenn Greenwald on the ass-licking New York Times
Glenn Greenwald's been calling out the New York Times for its soft-pedal coverage of the Wikileaks Iraq documents and its equal feature of insinuations about the messenger, Wikileaks' director, Julian Assonge. The Times' John Burns performs investigative journalism at its best: denial and smear in service of power.
Sunday, Oct 24: The Nixonian henchmen of today
Monday, Oct 25: NYT v. the world
Wednesday, Oct 27: More on the media's Pentagon-subservient WikiLeaks coverage
Sunday, Oct 24: The Nixonian henchmen of today
Monday, Oct 25: NYT v. the world
Wednesday, Oct 27: More on the media's Pentagon-subservient WikiLeaks coverage
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